Thursday, July 12, 2012
Blood & Fire
a cocktail of earnest spirit
and humorous irony
or an armor of soft padding
fertilizer for each fallen
seedlet in this summer meadow
where sentences are limiting
and only a broken crunch
of engines and keys
can close the breach
between my obvious heart
and yours,
unknowable
and humorous irony
or an armor of soft padding
fertilizer for each fallen
seedlet in this summer meadow
where sentences are limiting
and only a broken crunch
of engines and keys
can close the breach
between my obvious heart
and yours,
unknowable
Monday, July 2, 2012
45.
by Gerard Manley Hopkins
I wake and feel the fell of dark, not day.
What hours, O what black hours we have spent
This night! what sights, heart, you saw; ways you went!
And more must, in yet longer light's delay.
With witness I speak this. But where I say
Hours I mean years, mean life. And my lament
Is cries countless, cries like dead letters sent
To dearest him that lives, alas! away.
I am gall, I am heartburn. God's most deep decree
Bitter would have me taste: my taste was me;
Bones built in me, flesh filled, blood brimmed the curse.
Selfyeast of spirit a dull dough sours. I see
The lost are like this, and their scourge to be
As I am mine, their sweating selves; but worse.
I wake and feel the fell of dark, not day.
What hours, O what black hours we have spent
This night! what sights, heart, you saw; ways you went!
And more must, in yet longer light's delay.
With witness I speak this. But where I say
Hours I mean years, mean life. And my lament
Is cries countless, cries like dead letters sent
To dearest him that lives, alas! away.
I am gall, I am heartburn. God's most deep decree
Bitter would have me taste: my taste was me;
Bones built in me, flesh filled, blood brimmed the curse.
Selfyeast of spirit a dull dough sours. I see
The lost are like this, and their scourge to be
As I am mine, their sweating selves; but worse.
Monday, June 25, 2012
50.
by Gerard Manley Hopkins
Wednesday, June 20, 2012
Tuesday, June 19, 2012
A Midrash of Yael
i.
Heber joined with Jabin -- against the tribe of our ancestors -- for profit. As a result of his alliance, we lived apart, near a solitary tree and a hasty road. Heber believed that Jabin was his friend, that we were protected. But when he traveled with the caravan, I was not safe.
Soldiers rode up to my tent, three or four of them, stuffed and ugly, waving spears and swords, demanding my hospitality. There was no one near to ward them off, and I learned that they were easier to satisfy than to resist. Satisfied, they wouldn't bruise me.
When Heber returned from his business, I couldn't tell him the truth. He had never cared for me deeply, we shared little, and he never stayed long. I was afraid he'd send me away, alone, and then what would I do?
ii.
At dusk he came to me, filthy and frantic. He had come to my tent before, but this time was different. He did not swagger as they usually did. He was wild-eyed, and he trembled. The aura of the battlefield was on him -- the dusty sweat and blood on his ankles, the furious madness. And somehow, the blood he tracked into my tent rubbed off on to me, and I was overcome by ferocity. I , too, became a soldier, and my tent, a battlefield.
But I was careful; I knew from painful experience that he could overpower me. I poured him fresh milk, assured him that he was a great warrior and a strong man, that he would never be defeated. I lulled him into a satiated sleep. But the more I soothed him, the higher my own blood was raised. By the time he snored, I was engorged.
As he slept, I drove my hatred through his damned head with all my might until he was dead. In that moment, I was stronger than 900 men. The peg and the mallet felt alive in my hand. Even the terrible crunch of his skull, the splat of brains and blood on my clothes and rugs did not bother me. I knew that Sisera had been sent to me to die.
There was no use hiding what I had done -- he was an important man, and I wasn't clever enough to conceal the deed. I had nothing left to lose. I beckoned the leader into my tent, saying, "Come, I will show you the man you are looking for." He entered, looked strangely at my face, and then saw the bloody corpse, sunken and staining my pillows. He whooped with joy! Laughing, embracing me, lifting and spinning me, he cried out, "Yael! Yael, savior of Israel!" The other soldiers rushed in to join, but it was only later, when I was brought to the tent of Deborah the Prophet, that I began to understand the consequences of my strange rage.
iii.
I've dwelt in the tent of Deborah ever since, though she rarely comes here anymore. In her old age, she lives in the city, far from the wilderness and the memory of battle. Sometimes she visits me after sitting under her palm of visions. Over tea, she entreats me to come with her to the city where there is comfort, security, and companionship. But I am comfortable and secure here, in this innocent tent. Colorful rugs cushion my steps; the wind, my neighbor, sings me to sleep; sturdy pegs remind me who I am. Alone, in a tent, is how I will die.
Monday, June 4, 2012
Sonnet #44
by William Shakespeare
If the dull substance of my flesh were thought,
Injurious distance should not stop my way;
For then despite of space I would be brought,
From limits far remote, where thou dost stay.
No matter then although my foot did stand
Upon the farthest earth removed from thee;
For nimble thought can jump both sea and land
As soon as think the place where he would be.
But ah! thought kills me that I am not thought,
To leap large lengths of miles when thou art gone,
But that, so much of earth and water wrought,
I must attend time's leisure with my moan,
Receiving nought by elements so slow
But heavy tears, badges of either's woe.
If the dull substance of my flesh were thought,
Injurious distance should not stop my way;
For then despite of space I would be brought,
From limits far remote, where thou dost stay.
No matter then although my foot did stand
Upon the farthest earth removed from thee;
For nimble thought can jump both sea and land
As soon as think the place where he would be.
But ah! thought kills me that I am not thought,
To leap large lengths of miles when thou art gone,
But that, so much of earth and water wrought,
I must attend time's leisure with my moan,
Receiving nought by elements so slow
But heavy tears, badges of either's woe.
Wednesday, May 30, 2012
Tuesday, May 15, 2012
found poem
and we see spider silk and standards of ravishing frivolity corrupt an audience with pleasure. rubber flowers, reflective glass and carnival acts objectify variously as beautiful manners, bluster inseparable from fury. the overall air of strangeness extraordinarily fluid inspired by illumination create nonsense really intensely, but kind of unreadable: jar of fox bones or something similar.
(The New Yorker, May 7, 2012)
(The New Yorker, May 7, 2012)
Monday, May 14, 2012
when the world was crumbling
perhaps a sad and
anxious pollen infects us
but poets continue to breathe and
distill
so the rest
can nod our heads
yes.
hug the poet closest to you often
the reward
will be yours
Wednesday, May 9, 2012
Lifting Belly (an excerpt)
by Gertrude Stein
Kiss my lips. She did.
Kiss my lips again she did.
Kiss my lips over and over and over again she did.
I have feathers.
Gentle fishes.
Do you think about apricots. We find them very beautiful. It is not alone their color it is their seeds that charm us. We find it a change.
Lifting belly is so strange.
I came to speak about it.
Kiss my lips again she did.
Kiss my lips over and over and over again she did.
I have feathers.
Gentle fishes.
Do you think about apricots. We find them very beautiful. It is not alone their color it is their seeds that charm us. We find it a change.
Lifting belly is so strange.
I came to speak about it.
Sunday, April 29, 2012
Tuesday, April 10, 2012
16 Years
by my very inception I am
bound to you, sparked by desire
nutrients united in flesh
nurtured by time and mystery
beating, bleeding, secreting
my pledge to bend as you beseech
ribbons of flesh, boxes that are not hollow
whisper the letters of your name
loosening the hold
bound to you, sparked by desire
nutrients united in flesh
nurtured by time and mystery
beating, bleeding, secreting
my pledge to bend as you beseech
ribbons of flesh, boxes that are not hollow
whisper the letters of your name
loosening the hold
Thursday, April 5, 2012
La Fuite de la Lune (The Escape of the Moon)
by Oscar Wilde
To outer senses there is peace,
A dreamy peace on either hand,
Deep silence in the shadowy land,
Deep silence where the shadows cease.
Save for a cry that echoes shrill
From some lone bird disconsolate;
A corncrake calling to its mate;
The answer from the misty hill.
And suddenly the moon withdraws
Her sickle from the lightening skies,
And to her sombre cavern flies,
Wrapped in a veil of yellow gauze.
Oscar Wilde was arrested on April 6, 1895. Homosexuality was classified as a crime in England at the time, and Wilde was arrested, found guilty, and sentenced to two years of hard labor.
To outer senses there is peace,
A dreamy peace on either hand,
Deep silence in the shadowy land,
Deep silence where the shadows cease.
Save for a cry that echoes shrill
From some lone bird disconsolate;
A corncrake calling to its mate;
The answer from the misty hill.
And suddenly the moon withdraws
Her sickle from the lightening skies,
And to her sombre cavern flies,
Wrapped in a veil of yellow gauze.
Oscar Wilde was arrested on April 6, 1895. Homosexuality was classified as a crime in England at the time, and Wilde was arrested, found guilty, and sentenced to two years of hard labor.
Wednesday, March 28, 2012
Tuesday Night Blues
don't ease me in
to olam ha'bah
I've been all night long coming home
I beg of you
hypnotize me
until we meet again
switch off for balance
turn the page
seek pure intentions
shift your gaze
to the original dreams of your heart
and hope your route is blessed with peace
you hold so much of the power
between us, so much
of the mystery
the eyes of your heart
unseen but for the glow
of knowing and being known
through tired words
romance languages
and holy tongues
this infernal structure
that to a soul is unity
is among your greatest gifts
and though I fight
your soundtrack
I know it to be true
if only I could hear you
ask me to dance
in the moonlight
to olam ha'bah
I've been all night long coming home
I beg of you
hypnotize me
until we meet again
switch off for balance
turn the page
seek pure intentions
shift your gaze
to the original dreams of your heart
and hope your route is blessed with peace
you hold so much of the power
between us, so much
of the mystery
the eyes of your heart
unseen but for the glow
of knowing and being known
through tired words
romance languages
and holy tongues
this infernal structure
that to a soul is unity
is among your greatest gifts
and though I fight
your soundtrack
I know it to be true
if only I could hear you
ask me to dance
in the moonlight
Tuesday, February 28, 2012
Sonnet XVII
by Pablo Neruda
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
... risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way
than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
... risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way
than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.
Monday, February 13, 2012
again you have your personal code
found ever at your elbow
and an uncapped pen
it was that look, from over there,
that primed the well
for drawing
again you offer your matching gift
of silence from afar
when your breath in my ear
would quench this thirst.
an empty bucket on a rope
dangles over a blank page
found ever at your elbow
and an uncapped pen
it was that look, from over there,
that primed the well
for drawing
again you offer your matching gift
of silence from afar
when your breath in my ear
would quench this thirst.
an empty bucket on a rope
dangles over a blank page
Thursday, February 9, 2012
Friday, February 3, 2012
Nothing Twice
by Wislawa Szymborska
translated by Clare Cavanagh and Stanislaw Baranczak
Nothing can ever happen twice.
In consequence, the sorry fact is
that we arrive here improvised
and leave without the chance to practice.
Even if there is no one dumber,
if you're the planet's biggest dunce,
you can't repeat the class in summer:
this course is only offered once.
No day copies yesterday,
no two nights will teach what bliss is
in precisely the same way,
with precisely the same kisses.
One day, perhaps some idle tongue
mentions your name by accident:
I feel as if a rose were flung
into the room, all hue and scent.
The next day, though you're here with me,
I can't help looking at the clock:
A rose? A rose? What could that be?
Is it a flower or a rock?
Why do we treat the fleeting day
with so much needless fear and sorrow?
It's in its nature not to stay:
Today is always gone tomorrow.
With smiles and kisses, we prefer
to seek accord beneath our star,
although we're different (we concur)
just as two drops of water are.
translated by Clare Cavanagh and Stanislaw Baranczak
Nothing can ever happen twice.
In consequence, the sorry fact is
that we arrive here improvised
and leave without the chance to practice.
Even if there is no one dumber,
if you're the planet's biggest dunce,
you can't repeat the class in summer:
this course is only offered once.
No day copies yesterday,
no two nights will teach what bliss is
in precisely the same way,
with precisely the same kisses.
One day, perhaps some idle tongue
mentions your name by accident:
I feel as if a rose were flung
into the room, all hue and scent.
The next day, though you're here with me,
I can't help looking at the clock:
A rose? A rose? What could that be?
Is it a flower or a rock?
Why do we treat the fleeting day
with so much needless fear and sorrow?
It's in its nature not to stay:
Today is always gone tomorrow.
With smiles and kisses, we prefer
to seek accord beneath our star,
although we're different (we concur)
just as two drops of water are.
Tuesday, January 31, 2012
your face - as clear a vision
a conjuring, a plea
an ideal moment in a possible future
your voice - an echo in a tunnel
to my weak heart
unheard and unspoken
I will surely disintegrate if I am too far
down your earthen path
when I am so used to sand
this world - though stitched
with golden thread
defines the drape behind which you keep
silence amplifies our love
and our dreams of an ideal moment
in a possible future
and in our bravery - when we speak
our radiant joy, though it will not last,
will be a shard collected
a conjuring, a plea
an ideal moment in a possible future
your voice - an echo in a tunnel
to my weak heart
unheard and unspoken
I will surely disintegrate if I am too far
down your earthen path
when I am so used to sand
this world - though stitched
with golden thread
defines the drape behind which you keep
silence amplifies our love
and our dreams of an ideal moment
in a possible future
and in our bravery - when we speak
our radiant joy, though it will not last,
will be a shard collected
Friday, January 27, 2012
Wednesday, January 18, 2012
Gentle Admonition
thinking about doing
what is right is not the same
as doing what is right
what is most important
only has impact
if it is made most important
sunshine and birdsong
seep into your soul
only when you venture outside
so venture and make
your soul what is right
let light seep in and impact
what is right is not the same
as doing what is right
what is most important
only has impact
if it is made most important
sunshine and birdsong
seep into your soul
only when you venture outside
so venture and make
your soul what is right
let light seep in and impact
Tuesday, January 10, 2012
Wednesday, November 9, 2011
Occupy (11/9/11)
acknowledge the reality
assert your power
peaceably assemble and make your voices heard
assert your power
peaceably assemble and make your voices heard
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